You'll need to dive into the on-screen menu to switch between Program, Aperture, Shutter, or Manual exposure modes. Instead of a Mode dial, the ZV-E1 has a toggle switch to swap between stills, video, and slow-and-quick video (S&Q) recording modes. The Defocus function swaps between a wide open and narrow aperture with a single button press, so you can get blurry background footage without having to cycle through f-stops. The Background Defocus (C1) button and a control dial round out the top plate controls. Sony includes a zoom rocker around the shutter to set the focal length of power zoom lenses and squeezes the power switch in just to its right. The shutter release is atop the handgrip, with the Record button just behind it. The ZV-E1 body style is handheld, so its control scheme follows. I tested the camera with the FE PZ 16-35mm F4 G and FE 20mm F1.8 G, a pair of lenses that make a lot of sense for vlogs and are still slim enough for comfortable handheld recording. The 28-60mm isn't quite wide angle enough for arm's length self-recording, however, so if that's your style of video you'll want to look at a different lens. You can get the ZV-E1 as a body only and pick your own lens, or get it in a kit with the tiny FE 28-60mm F4-5.6 zoom for $2,499.99. The DJI RS 3 Mini seems like the ideal match, from a size and feature set perspective. The match of IBIS and digital stabilization is effective but does crop the view of lenses, so you may want to add a gimbal, too. We expect many creators will add the $139.99 Sony GP-VPT2BT Bluetooth Shooting Grip and Tripod, a clever add-on that swaps forms between tabletop tripod and pistol-style grip. There's a tripod socket, of course, so you can lock the ZV-E1 down for static shots. The body is resistant to dust and splashes, and while Sony doesn't go as far as to assign it an IP rating, you can feel comfortable using it under gray skies. A decent-sized handgrip is included, along with a swing-out LCD for monitoring, supporting handheld use. The ZV-E1 doesn't look too much different than other viewfinder-free ILCs. The fp series is similarly video-minded, but has a more accessory-friendly cinema form factor where the fp is meant to be the starting point for a custom-built rig, the ZV-E1 is meant to get good results out of the box.Įven though the video features are at the forefront here, Sony opts for a mostly traditional form factor. We can point to the Sigma fp and fp L as the reasons for the stabilization caveat. Its frame makes the ZV-E1 the smallest stabilized full-frame camera out there. If you're on set and have access to a crew, the FX3's more extensible frame and active cooling system make better sense. The ZV-E1 is even more vlog-focused than its predecessors, as photo features take a back seat, and the form factor isn't as well-suited for straightforward cinema applications as an FX3 ($3,899.99). The series gets its name from its target audience, youthful Gen-Z content creators, and its intended use case, vlogging. The ZV-E1 is Sony's fourth ZV series camera. The ZV-E1 is the first made-for-vlogging camera to earn top marks and our Editors' Choice award. Its stabilized sensor is a boon for handheld work, and along with a clear-sounding mic it allows you to get great results without a boatload of accessories. The ZV-E1 ($2,199.99, body only) squeezes a stabilized full-frame sensor into a stunningly small body with a clear-sounding mic and plenty of AI features that expand what creators can do without the benefit of a crew. Sony continues to bet big on vlogging cameras, following up a spate of entry-level ZV series video specialists with its most capable made-for-YouTube model yet.
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